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Multimedia
El maquinista de la general
Symphonyc Orchestra
VORONKOV, GuerassimVORONKOV, GuerassimVORONKOV, GuerassimReg.: B.4063
30,00 €
P.V.P. (VAT included 4%)
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- Ensemble: Symphonic orchestra: .
- Genres: Classical / contemporary: Symphonic.
Incidental music: Soundtracks.
- Product format: Partitura
- Difficulty level: Advanced-superior
- Period: 2nd half S. XX - XXI
- Publishing house: Editorial Boileau
- No. of pages: 40+48
- Measure: 0,00 x 0,00 cm
- Lenght: 34'15"
- ISMN: 979-0-3503-4181-6
- Available in digital: No
- Available for rent: Yes
2 2 2 2 – 4 2 3 1 – tmp+1 – pf – str
Perc: tri, ratch, clu, wbkt, SD, sus cym, whist, bd, bells
Los materiales de orquesta están en alquiler
It was written as a tone poem: a composition for symphony orchestra that has its origin in an extra-musical element. The symphonic poems of Franz Liszt, the first to introduce this type of work, or those of Richard Strauss, come from literature (Prometheus, Hamlet, Orpheus, Don Juan or Don Quixote).
In this case, the music follows the film starring Keaton, although this in turn was also based on the book Audacity and Suffering: A History of the Great Railway Adventure by William Pittenger (1894). The publication recounts an account of an episode that took place in 1862, during the American Civil War.
Although Voronkov’s composition cannot be used to accompany the projection as a soundtrack would, it does attempt to provoke the feelings and emotions experienced by the film’s protagonists. The movement titles help to associate the music with specific moments in this extraordinary comedy, as well as to follow the adventures of Johnnie Gray and Annabelle Lee in this epic war story.
- The General
- Johnnie intenta alistarse en el ejército
- Johnnie y el reclutador
- Johnnie es rechazado por el ejército y por su amada
- En el campamento
- De vuelta a la rutina
- Secuestro de Annabelle
- Escena con bicicleta
- Trunk vals
- Tormenta
- El ejército del norte y la escena del beso
- River bridge
- Batalla y victoria
- The end