WORKS
- Genre
-
Musical education
- Choir
- Counterpoint
- Dictation
- Direction
- Exam study manuals
- General music pedagogy
- Harmony
- Hearing
- Illustrations / Posters
- Improvisation / Sight reading
- Instrument methods
- Instrument pedagogy
- Instrumental study repertoire
- Instrumentation and orquestration
- Musical language
- Solfège
- Templates
- Theory and analysis
-
Incidental music
-
Lined paper
-
Flamenco
-
Religious music
-
Classical / contemporary
-
Modern music
-
Folk music / traditional
-
Musicology
-
Divulgation
-
Games and hobbies
-
Music therapy
-
Children / Youth
-
- Instruments
- Ensemble
- Difficulty level
- Period
- Genre
SOPORTE
Search
Find here: books, scores, composers, digital pieces, cd's
Best-selling works
Our classics
Newsletter
I wish to be informed of the news about your music
We have received your e-mail correctly
Multimedia
Suite innominada
Piano
LAMOTE DE GRIGNON, RicardLAMOTE DE GRIGNON, RicardLAMOTE DE GRIGNON, RicardReg.: B.3246
12,00 €
P.V.P. (VAT included 4%)
Add to cart
- Review: MASÓ, Jordi
- Ensemble: Solo.
- Genres: Classical / contemporary: Solos.
- Product format: Partitura
- Difficulty level: Intermediate-advanced
- Period: 1st half S. XX
- Publishing house: Editorial Boileau
- Collection: Siglo XX
- No. of pages: 20
- Measure: 31,00 x 23,00 cm
- Lenght: 6'25"
- ISMN: 979-0-3503-0434-7
- Available in digital: No
- Available for rent: No
On one occasion, Ricard Lamote de Grignon stated in an interview that: «I don’t pigeon-hole myself into a specific musical trend. I can be extremely conservative when necessary, and very avant-garde in other occasions. I have strived to develop as broad a variety of styles as possible to enrich my vocabulary so I can express myself in any range of the musical language». The Suite Innominada, written in 1939, is possibly the piano work which most faithfully reflects this eclecticism which characterises the composer: the first two movements – dark, mournful and obsessive – seem to return to the sound world of the Preludis a l’amic absent (Preludes for an Absent Friend) written in 1935 and undoubtedly his most ambitious and successful piano piece. The third movement, however, which in reality is more an introduction of sorts to the fourth one – providing a hesitating preview of the main theme – lets the listener catch a glimpse of a very different language and nature. The serene minuet which follows was written from prison in 1939, a circumstance which is not reflected in the imperturbably calm music. Finally, the fifth movement is a rustic-sounding dance, very close to some of Frederic Mompou’s or Manuel Blancafort’s folklore-inspired music.