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Sonatina invernal
Winter Sonatina / Sonatina hivernal
Violín o Flauta y Guitarra
GALEOTE, JoséReg.: B.3672
17,20 €
P.V.P. (VAT included 4%)
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- Ensemble: Duos: Mixt.
- Genres: Classical / contemporary: Chamber.
- Product format: Partitura + particellas
- Difficulty level: Intermediate-advanced
- Period: 2nd half S. XX - XXI
- Publishing house: Editorial Boileau
- Collection: Siglo XXI
- No. of pages: 20+4
- Measure: 31,00 x 23,00 cm
- Lenght: 12' 30"
- ISMN: 979-0-3503-0920-5
- Available in digital: No
- Available for rent: No
Written during the winter of 2007, this work is a metaphor of the three stages of a short but intense love story.
The first movement is called Poniente. This is the name of a rainy wind that comes from west. In this sense, west is not only the place where the sun sets, but where night begins. The first movement represents the beginning, the happiness and freshness of something new. The violin evokes freshness and spontaneity over the constant rhythm of the guitar, which plays the higher voice. While the violin signs happily, the guitar, instead of being just its accompaniment, plays the role of a counterpoint with its rhythmical and constant theme.
The second movement is called Largo-Balada-Largo and it’s divided in two different parts. In the first one, guitar plays alone, reflexive and slow, representing the moments of loneliness of the one that waits for the lovers reunion. In the second movement, violin and guitar begin a dialogue where the violin plays a sweet yearning ballad, while the guitar answers as a baroque counterpoint. At the end, calm comes back, as in the first part of the second movement.
The third movement is called Danza ritual and it is the most violent of the three parts. It represents the lovers reunion, the resolution of all the controlled excitement. It’s the flame that consumes quickly but intensely. At the end of this part, the violin reintroduces the main theme of the first movement, but with a variation, more intense and dramatic. This dramatic and intense quality is also due to the guitar ostinato, which ends in a hysteric trill. This leads us again to the first part, ending the third movement and this work in a sudden setback, as an interrogation tag.
Largo - Balada - largo
Danza ritual
