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Enrique Granados. Maestro del uso del pedal

Incluye dos métodos teórico-prácticos inéditos para el uso del pedal de resonancia de E. Granados

Tesis

GRANADOS, Enric; CURBELO, Óliver

Reg.: TD0002

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  • Genres: Musical education: Instrument pedagogy.
    Musicology: Essays / Studies; History; Thesis.
  • Language: Español / Castellano
  • Product format: Libro
  • Period: 1st half S. XX
  • Publishing house: Editorial Boileau
  • Collection: Estudios de investigación
  • No. of pages: 88
  • Measure: 30,00 x 21,00 cm
  • ISBN: 978-84-17199-06-7
  • ISMN: 979-0-3503-3973-8
  • Available in digital: Yes
  • Available for rent: No

This book deals with various aspects related to the use of the pedal in the three outstanding facets of Enrique Granados: performance, composition and teaching. For this, a deep process of searching, reading and analyzing sources has been carried out. Many of them (manuscripts, generally) we have not located and we have given them up as lost, hoping to find new data in the future that will yield more information on this subject. It would be of special interest to find new writings or annotations by Granados about the use of the pedal (or pedals), as a result of his activity as a teacher, that provide more data (for example, the use of pedal graduations) to elaborate a more theory complete.

The work presented is divided into three parts, in relation to the three facets of Granados noted above. The first addresses the use of the pedal in the Catalan pianist's performance, where the origins and influence of his technique are exposed through a study from his time as a student and his first concerts. The second section develops the pedal as a compositional element, analyzing the pedal symbols of all his piano works, including revisions. The last part includes the teaching of the pedal through the analysis of the preserved works, their application in the Academy and the first publication of two of their methods that have remained unpublished and, despite being incomplete, are of great value for the study of the pedagogical facet most developed by Granados.

INTRODUCCIÓN 

1. EL PEDAL SONORO COMO ELEMENTO INTERPRETATIVO 
1.1. Orígenes e influencia de su técnica de pedal 
1.2. La técnica de pedal aplicada a la ejecución

2. EL PEDAL SONORO COMO ELEMENTO COMPOSITIVO
2.1. Indicaciones de pedal en sus obras 
2.1.1 Obras originales
2.1.2 Obras revisadas

3. EL PEDAL SONORO COMO ELEMENTO DIDÁCTICO 
3.1. Sus trabajos dedicados al uso del pedal
3.1.1 Método teórico práctico para el uso de los pedales del piano
3.1.2 El pedal. Método teórico-práctico 
3.1.3 Reglas para [el] uso de los pedales del piano. Nuevo método
corregido y aumentado por Enrique Granados
3.1.4 Reglas para el uso de los pedales del piano 
3.1.5 Breves consideraciones sobre el ligado: Del pedal 
3.2. Aplicación de sus trabajos en la Academia 

4. PUBLICACIÓN DE DOS MÉTODOS INÉDITOS PARA EL USO DEL PEDAL 
4.1. El pedal. Método teórico-práctico
4.2. Reglas para [el] uso de los pedales del piano. Nuevo método
corregido y aumentado por Enrique Granados 

CONCLUSIÓN 
LISTA DE LAS 48 FIGURAS (de los ejemplos musicales) 
BIBLIOGRAFÍA 

Kit Digital