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El piano en Barcelona entre 1880 y 1936

dirigida por el Dr. Roger Alier i Aixalà

Tesis

FUKUSHIMA, Mutsumi

Reg.: TD0001


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  • Genres: Musicología: Ensayos / Estudios; Historia; Tesis.
  • Language: Español / Castellano
  • Product format: Libro
  • Period: 1st half S. XX
  • Publishing house: Editorial Boileau
  • Collection: Estudios de investigación
  • No. of pages: 796
  • Measure: 29,70 x 21,00 cm
  • ISBN: 978-84-15381-90-7
  • Available in digital: Yes
  • Available for rent: No

This doctoral thesis is attached to the line of research on issues related to the musical activity of the city of Barcelona between the end of the 19th century and the beginning of the 20th. In this sense, the objective of the following work is to draw a historical overview of piano activity in Barcelona between 1880 and 1936. To this end, this thesis presents a detailed compilation and description of both the piano manufacturers and the set of venues that hosted the different concerts, and also recovers the history of the music academies, many of them disappeared at the beginning of the 20th century.

At the same time, this study pays special attention to the piano events that have now been forgotten, even though they had a great impact on the public and the press of their time.

It also presents the activity of various pianists, including the main foreign interpreters who performed in the city.

However, it should be noted that the main volume of the research has focused on a detailed analysis of the Catalan pianists, both the most illustrious and those who, although acclaimed in their time, today have disappeared from the historiography of Catalan music.

Introducción 


 


1. Panorama histórico-musical de Barcelona 


1.1. Barcelona de finales del XIX a principios del XX 


1.2. Vida concertística en Barcelona 


1.3. Nacionalismo musical y Felip Pedrell 


1.4. Pedrell y compositores catalanes 


1.5. La música de la primera mitad del siglo XX 


2. Contexto pianístico en Barcelona 


2.1. Fabricantes, sucursales y depósitos de pianos 


2.2. Principales sedes de conciertos 


2.3. Pedagogía del piano 


3. El piano en Barcelona en el período 1880-1903 


3.1. Actividad pianística 


3.2. Tres pianistas catalanes sobresalientes 


3.3. Otros pianistas catalanes 


4. El piano en Barcelona en el período 1904-1936 


4.1. Actividad pianística 


4.2. Pianistas catalanes más destacados 


 


Conclusiones 


Bibliografía general 


 


Anexos 


I. Los poemas dedicados a Carles G. Vidiella 


II. Correspondencia entre Isaac Albéniz y Joaquim Malats 


III. Correspondencia de Joaquim Malats a Mercedes de Ros de Malats 


IV. Tabla de conciertos según la Revista Musical Catalana (1904-1936)